Flash Fridays: Lady Luck
July 3rd, 2009

Flash Fridays: Lady Luck

So I recently noticed that an older post I did where I included tattoo flash has been getting a lot of hits continuously since I originally posted it back in April. After mulling over how to put all this new traffic to good use, I decided to launch a new feature every Friday: FLASH FRIDAYS!

Basically, I’ll create a new tattoo flash design every week and post it here on Friday. I’ll also include a nice big black and white image that you can download (right click - view image-right click-save image as) and are welcome to use if you want a tattoo or you are a tattoo artist looking for more flash to offer your customers. I only have a few humble requests :

  1. If you use one of my tattoo images for a tattoo, please send me a pic of the work on your body so I can post it here. Email it to me.
  2. If you like the work and intend to use it, you’re free to download it! I’m not charging anything for the work but do please consider making a small donation in return. Whatever you think is fair. It can be five buck, fifty bucks or five hundred!
  3. You don’t have to (and I just wouldn’t recommend it) tattooing my artist’s signature on your person. It’s just going to be on these posts because an artist needs to sign their work, am I right?

Ok! That’s it! Hopefully you will all enjoy this new feature here at Magic Inkwell. Who knows, maybe I’ll be getting an email with a pic of someone with a tattoo I designed sooner than I think!

This week’s image is a take on the classic Lady Luck motif. I’m a huge fan of old school tattooing and this one was a real treat for me to work on (even though it did take me all of Thursday’s daylight hours to complete!)

Here’s the lineart:

click to zoom

click to zoom



Please Vote for my Threadless Tshirt Design!

I almost spammed a bunch of my friends and family about this but thought the better of it.  I sent one mass email to, like, 15 people.  Not bad, I guess.  I need scores, though!  And in the 1,000’s to get this thing, if I’m not mistaken.  So please go and vote for me design!  I could reeeaaaaallly use the money!  And all of you wearing this shirt!!!

That most of all…

Score this design: “kittyeyetentacles,” to help it get printed on Threadless!


Shimauma means “stripy horse” in Japanese?!

gnibIt’s time once again for TOOL TALK with your host Cat “the tool, man” Garza.  In our last episode we were discussing the sudden and recent unavailability of Zebra brand G nibs online.  I was lamenting the fact that I’d need some soon and that I had really enjoyed them and wanted to be able to get more if need be, but all the online retailers that carried them suddenly didn’t have them, discontinued them or had them, but only in the Nikko brand or Tachikawa brand varieties.  This was a huge dilemma!  My first experience with G nibs was using a Zebra that had come in a Deleter package.

After my post, I had a couple different friends in Japan trying to track them down.  My friend Betsey, who was an intern at the Center for Cartoon Studies, left for Japan and will be returning this Fall as a new CCS student (!) scored a Deleter package which contained, *gasp*, the Zebras (instead of the Nikkos, which is what I got last time I ordered Deleter G’s).

Quick rundown… There’s three G nib brands available in the States as far as I know - Zebra, Nikko and Tachikawa.  Zebras are the softest, then Nikkos (a bit stiffer, but still with tons of flexibility), then Tachikawas (have the least spring/more rigid).  I remember thinking at one point when I’d finally gotten the hang of the Zebra G that it was like drawing with a metal brush (if that makes any kind of sense).  That’s how much flexibility the Zebra G has.

I.C. Manga Use Manuscript Paper B4 GRID 135KGI had an order for some “I.C.” packaged G nibs from akadot.com which was taking almost a month to fill because the I.C. brand G nibs weren’t in stock and were on back order.  I.C. (or Icy, as I’ve seen the brand referred to in some literature) is a great Japanese company that makes the B4 manga manuscript paper I use to draw my comics.  I started using this paper because I was tired of spending gobs of money on pads of Britsol.  These manga pages are pre-ruled with non-photo blue ink and come in packages of 40 sheets for under ten dollars.  Having used the Blu Line Pro pre-ruled bristol waaaaay back when it first came out (horrible stuff, btw), I was always a fan of drawing sheets that were pre-ruled (being inept at drawing a straight line and all, I need all the help I can get!).  Although kind of thin, the sheets take the ink really well and are the right size since I’m planning to print YOTR in the standard manga paperback size next year.  They take a phenomenal amount of abuse and I haven’t ripped through one yet (short of ripping it on purpose… and it still took some doing)!

IC Comic, G! Anyway, the product description for the I.C. G nibs included a photo that, to my eye, looked like Zebra G nibs (you know, embossed G and all).  Hence the order.  And the wait…  That is, until this past Friday when my order finally arrived!  And guess what?  I WAS RIGHT!!!

The I.C. package did indeed contain three brand new shiny Zebra G nibs!  Rejoice, those out there that might have been searching for Zebra G’s (I’m sure I’m not alone, here, right?!?)

Ready for the bitter irony of it all, the punchline?  I’m having to get used to them again.  They are indeed MUCH softer than the Nikkos I was using since that first Zebra G… and a lot easier to ruin if you have a heavy hand like me.  I ruined the first one mere minutes after slapping it onto my pen holder and inking with it.  I have what my mother used to affectionately refer to as “manos de lumbre”.  It will take a bit of an adjustment period, but I’m still glad to be using the Zebras again and that there’s still somewhere online to get them.

I.C. Super BlackI also ordered some I.C. Super Black Comic Ink with that order because I was eager to try something other than the sludgy Speedball ink I’d been using up until now.  This ink dries to a matte finish (which is amazing, btw… way better than the glossy Speedball), is watery thin yet super black, just like the package purports.

It seems to stand up to erasing as well as the writeup I’d read that lead me to it touted.  Because it’s so liquidy, it flows very easily from the nib and lasts a long time.  One drawback is that since it IS so watery, it’s easy to overload the nib and get a nice drip on your way back to the page from the bottle or for the nib to shoot out too much ink onto the paper.  You have to be a little careful and conscientious about how much ink you’re using with your nib.  Another drawback is that it dries on the nib pretty fast, seemingly faster than it dries on the paper, and gets encrusted very quickly (like in the image at the top of this post).  You’ll need rubbing alcohol to keep your nibs clean - it doesn’t want to come off with just water or soap/water.  This is some strong ink and I’m going to have a lot of fun using it on the next few pages of YOTR.

So that’s the resolution to my hunt for Zebra G nibs.  I ran across a lot of blog posts directing me places that didn’t carry them anymore, so hopefully anyone else looking for them will happen upon this post.  Regrettably this blog update wound up being a trumped up free advertisement for Akadot and I.C. (and Zebra), so I apologize for that.  I should have a sponsorship from all these guys!


Farewell, Michael…

So, anyone that’s known me for years and years probably knows that I was completely obsessed with Michael Jackson when I was an elementary school kid…

The year was 1984 and I was in the fifth grade. Michael Jackson fever was sweeping the nation and like most kids in elementary school in those days I was hooked. So much so that I had a horrible black and red pleather Michael Jackson jacket that I’d wear to school (like the one he wore in the THRILLER video), even on hot South Texas days. This, of course, made me the object of ridicule at an elementary school full of little vatos in the poorest part of town. I thought I was pretty cool, though, with my jacket and my little mullet. Never did get the glove. That would have put me over the top for sure. I did wear black sweatbands, though, and push up my sleeves much to the chagrin of my father who saw it as horrible proof that his first born son might somehow be gay. Man, he’d get worked up if he saw me with those sleeves pushed up!

One day during lunch I’d had enough of the teasing and bullying and flipped off one of my hecklers with a ceremonious one finger salute which landed me in the principals office and got me a paddling (yes, they still paddled kids in Texas in those days) that I would never forget. I still remember the paddle had holes in it to cut down on wind resistance and to deliver powerful blows to the buttocks. My legs would shake uncontrollably after each whack. Ah, the good ol’ days of corporal punishment…

I stopped wearing the jacket after that, but kept my love of Michael and his music in my heart. I graduated to a black pleather Members Only jacket at that point, I think. All these years later, despite the degradation of Michael’s image to what we had up until his death the other day doesn’t change the fact that he inspired the hell out of me as a kid and left us with some amazing music. Forget about the chimp, the elephant man, Lisa Marie, dangling kids off of balconies, the charges of pedophilia, the crazy spending, the ranch, the horrible plastic surgery, and the Beatles catalog and just revel in the cultural zeitgeist that was/always will be Michael Jackson’s legacy.

Eclectic Method did a nice send up:



My Kingdom for a Zebra G–nib (or The Secret Life of a Mangaka)

<obsessive nerdy comics tool rant>

So I caught the manga bug this past year and have now reached a tool dilemma because of it. Let me explain…

Part of my new approach to my work was trying out “traditional” cartooning materials, many of which I’d dabbled with over the years (especially in high school) in an attempt to come closer to my original love of the medium somehow hoping to fuel my creative process and make me a happy, productive comics making machine like I was many, many years ago.

It worked, too. Months of struggling with real ink, brushes and nibs later I’m completely happy and overwhelmingly enthused with the materials and process I’ve come to for producing my comics. It’s a special kind of love and it’s been YEARS since I’ve felt this way, really.

zebra_

I’ve especially fallen in love with a certain japanese nib called the G nib (or G-pen). Particularly the nib made by a company called Zebra. Unfortunately, I can’t seem to find anyone that sells them online or nearby. This is a dilemma. I’m not quite sure how I got the first one I had, I’ve since been stuck using the Deleter G nibs which are made by Nikko. They’re alright, but the Zebra is the Excalibur of nibs and I really, really want to get some more. I’m pretty sure I tried the Tachikawa G nib and wasn’t too thrilled with them, but I may be mistaken.

If anyone out there knows how to get a hold of some Zebra G nibs (you’ll know the difference because the Zebra has an embossed “G” on it rather than an etched one) you would be my friend forever.

</end obsessive nerdy comics tool rant>

This coming Tuesday marks the beginning of the straight black and white version of Year of the Rat II: The Place Between Seconds. I’m now using Manga Studio to finish the pages and doing all the ink work by hand (lettering, borders, some hatching… like ropehatching!!, etc.) I’m really excited about the work and have begun putting it together in book form for a release sometime after the current story ends February 2010. The book should be available for next convention season for sure probably debuting at MoCCA 2010.